Monday, July 13, 2009

TV NEWS: NEW ADVENTURES OF OLD CHRISTINE HEADS TO LIFETIME


The New Adventures of Old Christine' Goes to Lifetime

The women's network has acquired the exclusive cable rights to the hit CBS comedy which will make its off-net cable premiere in the fall of 2010.

LOS ANGELES, CA—Lifetime Television, the number one women's network, has acquired the exclusive off-net cable rights to Warner Bros. Television's critically acclaimed hit comedy "The New Adventures of Old Christine," starring Emmy Award-winner Julia Louis-Dreyfus, in a deal with Warner Bros. Domestic Television Distribution.

Under the terms of the agreement, Lifetime will hold the exclusive cable rights to all 88 existing episodes of the program, as well as the exclusive cable rights to all episodes produced in future seasons. The comedy, for which Louis-Dreyfus won an Emmy in 2006 for Outstanding Lead Actress in a Comedy Series and which won a Humanitas Prize in 2007, will make its off-net cable premiere on Lifetime in fall 2010.

SOURCE: POP TOWER

POP CULTURE: GM EXITS BANKRUPTCY



GM exits bankruptcy; CEO vows better performance

By TOM KRISHER and KEN THOMAS, Associated Press Writers

DETROIT – General Motors completed an unusually quick exit from bankruptcy protection on Friday with ambitions of making money and building cars people are eager to buy.

Once the world's largest and most powerful automaker, new GM is now leaner, cleansed of massive debt and burdensome contracts that would have sunk it without federal loans.

But GM, whose 40 days under court supervision was far shorter than anyone predicted, faces the worst auto sales slump in a quarter-century.

At a news conference, CEO Fritz Henderson said the revamped automaker will be faster and more responsive to customers than the old one. It will generate cash and repay billions in government loans ahead of a 2015 deadline.

The new company will build more cars and trucks that consumers want and launch them faster than in the past, the CEO said. GM also announced a partnership with online retailer eBay to test auctioning vehicles online.

"We recognize that we've been given a rare second chance at GM, and we are very grateful for that. And we appreciate the fact that we now have the tools to get the job done," he said.

Known for its sluggish decision-making process and bloated management ranks, GM will create a single, eight-member executive committee to speed up day-to-day decision-making, replacing two senior leadership forums.

Henderson said General Motors Corp. will streamline its bureaucratic management structure, cutting U.S. salaried employment by 20 percent, or 6,150 positions, by the end of 2009. The cuts include 450 executive jobs.

Henderson, who was promoted to chief executive in March, will run the global company and oversee its North American operations. GM's former chief operating officer, Henderson was chosen when President Barack Obama said former CEO Rick Wagoner's restructuring plans didn't go far enough.

Top executives at the new company will focus on business results, new vehicles, brands and consumers.

Bob Lutz, a legendary industry executive, was "unretiring" to become a vice chairman responsible for creative elements of products, marketing and customer relationships, Henderson said. Lutz had previously planned to retire at the end of the year after more than four decades in the auto business.

Nick Reilly, who has served as GM's Asia-Pacific president, will become executive vice president of GM's international operations based in Shanghai, China.

The new company will focus on customers, cars and culture.

"If we don't get this right, nothing else is going to work," Henderson said at GM's Downtown Detroit headquarters. "Business as usual is over at General Motors."

The automaker is launching a "Tell Fritz" Web site to allow owners and the public to share their concerns with senior management, and Henderson plans to go out on the road every month.

He said GM will partner with eBay in California to allow consumers to bid on vehicles just as they would in a typical eBay auction. They could also choose a "Buy it Now" option in an experiment to make car shopping easier. Dealers would still distribute the cars.

"As a culture, General Motors needs to be prepared to experiment and adjust," he said.

New Chairman Edward Whitacre Jr. said GM's trip through bankruptcy protection had been extremely challenging. "There have been a lot of long hours, there have been a shuttering of plants, there have been painful layoffs."

Whitacre cited the "strong leadership" of Henderson and the management team, giving the CEO a vote of confidence.

The company's logo will remain blue with white underlined GM letters, although the company had considered changing the background to green to symbolize an environmental focus. GM has no plans to change the background, Henderson said.

He said the U.S. government, which owns a majority stake in GM, has vowed that it would not get involved in day-to-day decisions.

The Treasury Department released a statement Friday afternoon crediting GM's restructuring with saving both the automaker and "tens of thousands" of American jobs.

"The hard work of charting a path to viability now rests with GM's board and management," Treasury said in its statement. "But we are confident that we remain on track to ultimately see returns on these taxpayer investments."

GM received $19 billion to $20 billion more in federal aid on Friday, the remainder of the $50 billion it will receive, Henderson said. A large part of the money will be held in escrow.

GM, in a viability plan presented to the government, said it would break even before interest and taxes next year, and be slightly above break-even for 2011 on a pretax basis.

"Sitting here today, I don't have any reason to disbelieve those numbers," Henderson said, giving no details of when the company would make a net profit.

Turning a profit will not be easy. GM has piled up losses and survives only because of government loans.

Besides the U.S. government's 61 percent controlling interest, the United Auto Workers union gets a 17.5 percent stake of the company through its retiree health care trust, and the Canadian government will control 11.7 percent. The remaining shares went to bondholders of the old company.

Concessions made by the United Auto Workers union just before the company entered bankruptcy protection have brought GM's labor costs down to where they are fully competitive with Toyota Motor Corp., Henderson said.

The parts of GM not moving to the new company will become part of "old GM," a collection of assets and liabilities that will be sold to pay creditors.

Ken Thomas reported from Washington, D.C.. AP Auto Writer Kimberly S. Johnson and AP Business Writer Jeff Karoub in Detroit contributed to this report.

POP CULTUR: COMCAST TO ADD HBO & CINEMAX TO STREAMING TRIAL





COMCAST ADDS CINEMX, HBO TO ITS STREAMING TRIAL

PHILADELPHIA— And you thought the HBO hit TV series "Entourage" would never be streamed over the Internet — at least legally.

Comcast Corp. said Monday it will be streaming HBO and Cinemax shows, movies and other content online to 5,000 subscriber households in a national trial set to start in coming weeks. It is the first time the two premium movie channels will be offering their programs over the Internet to computers. Downloads to mobile devices may come in the future.

HBO and Cinemax will join TNT, TBS and Starz in Comcast's online video trial. If the technical test is successful, Comcast will roll out access coast-to-coast to its subscribers at no additional cost.

The trial is part of a joint effort with Time Warner Inc. to offer cable programming on the Internet as viewership increasingly moves outside of the living room. But programmers and pay-TV operators will provide access only behind a walled garden of subscribers.

Unveiled last month, the venture dubbed "TV Everywhere" by Time Warner and "On Demand Online" by Comcast began with TNT and TBS.

The cable channels will be available through Comcast.net and Fancast.com, Comcast's video aggregator site supported by advertising. About 750 hours of programming a month initially will be available and expected to increase over time.

Critical to the trial is authentication of viewer as a paying subscriber. Users will be asked to log on with a user name and password. If they are paying for the five cable networks, the system will authenticate them.

The trial includes only Comcast customers of both video and Internet services. In the future, deals will be made with other ISPs, even Comcast rivals such as phone companies.

The HBO and Cinemax trial will include full-length episodes of "Entourage" and "Curb Your Enthusiasm" as well as movies including "Kung Fu Panda" and "The Dark Knight."

Subscribers can watch the programs online right after they are shown on television. They also can access a library of older programming.

POP CULTURE: ASK MEN- TOP 10 MALE ENTOURAGES


EW DISNEY STAR ANIKA NONI ROSE TO HOST AFROPOP PUBLIC TELEVISION SERIES

Documentary Series on Contemporary African Diaspora Returns in October for Second Season

New York, NY (BlackNews.com) - Tony Award winning actress Anika Noni Rose, who recently made history by being cast as the first-ever African-American princess in Disney's The Princess and the Frog, has signed on to host the new season of AfroPoP: The Ultimate Cultural Exchange. An innovative documentary series on contemporary life, art and pop culture in the African Diaspora, AfroPoP's second season comes to public television in October 2009. The series is produced by the National Black Programming Consortium (NBPC), and co-presented by American Public Television (APT).

As the series host, Rose will introduce audiences to powerful stories about African boxers who journey across the Atlantic to match their skills against the best in global contests; a teenage girl who travels to Ghana and a Sierre Leonian ex-patriate who returns to his homeland, each hoping to dispel prevailing myths about the two continents; and, Hurricane Katrina victims who find themselves refugees in their own country.

In announcing Rose's hosting role on AfroPoP, NBPC Executive Director Jacquie Jones explained: "Anika's body of work reflects not only a strong connection to the African-American experience, but her recent work in Africa shows she shares a link to and insightful understanding of Black life in other parts of the world. At the same time, we were looking for a youthful voice who could express the great breadth of the Diaspora. She is a perfect fit for the series."

Film audiences will be reunited with Rose in November when she plays "Princess Tiana" in the animated, Disney musical feature opening in November. Her other recent acclaimed roles include secretary "Makutsi" in Anthony Minghella's HBO series The No. 1 Ladies' Detective Agency, "Lorrell Robinson" in the major motion picture Dreamgirls, and "Maggie" in the all-black cast of Cat On A Hot Tin Roof on Broadway. Rose won a Tony Award for her performance in Caroline, or Change.

To preview the series or for more information on the films or filmmakers, visit www.AfroPoP.tv

ABOUT THE FILMS:

The Fighting Spirit

Dir. George Amponsah

Boxing is show business with blood--a tough sport, which has always found its top competitors from the poorest neighborhoods. Bukom, a tiny district in Ghana's capital city of Accra, is one such locale. Grounded in a long cultural tradition of wrestling that over the years developed into boxing, the tiny fishing village trains young people to fight--and win. Bukom has produced up to five percent of the world's champion and Olympic medal boxers. The Fighting Spirit tells the story of three fighters from Bukom--two men and a woman--as they battle their way to the glittering rings of Europe and America to compete for the biggest prizes in the business. Viewers watch the athletes fight for respect and reward for their tribe and their home, and witness their triumphs and defeats in and out of the ring.

Black to Our Roots

Dir. Tre Whitlow

Living in a housing project in Atlanta, Georgia, 17-year-old Sylvia Dorsey is frustrated by the drug abuse and violence that surrounds her. Black To Our Roots is the inspirational story of the journey Sylvia takes to explore her ancestral home in Ghana in an attempt to escape the cycle of violence and poverty of her Atlanta neighborhood. In Africa, Sylvia confronts several challenges that test her patience and change her life forever. When she returns to the United States, will she be able to adjust to her old world as a new woman? This film is a testament to the power of change.

Desert Bayou

Dir. Alex LeMay

In the wake of one of the worst natural and humanitarian disasters ever to visit American shores, nearly 600 African Americans were airlifted to the almost entirely white state of Utah...without their knowledge. Desert Bayou seeks to examine whether two cultures can come together in a time of utter chaos, or whether their differences prove too great a challenge to overcome. In their own words evacuees of Hurricane Katrina, tell how they survived the storm of the century and out of the rubble ended up at a military installation in the deserts of Utah. With interviews from evacuees, political, military and religious leaders, community and social figures, the questions of race, politics and religion hurtle towards each other in this truly American story: a story of loss and reunion, of sorrow and rebirth, of anger and rejoicing, but most of all...a story of hope.

Moving to the Beat

Dir. Caleb Heymann/Abdul Fofanah

Moving to the Beat explores how youth in Africa and America are using hip hop music to communicate with one another and as a language for social change. The documentary follows Rebel Soulz, a hip hop group from Portland, Oregon, as they journey to Freetown, Sierra Leone to bring the radical roots of American hip hop to the motherland of Africa. In the process of collaborating and interacting with the local artists, the visitors confront their own stereotypes and fantasies of Africa while shattering the Sierra Leoneans perception of America as a "second heaven." The result is a deeply forged connection that transcends centuries of misunderstanding and separation, and becomes an inspiring call for people worldwide to transcend boundaries.

ABOUT NBPC

The National Black Programming Consortium (NBPC), a national, nonprofit media arts organization, is the leading provider of black programming on public television and the greatest resource for the training of black media professionals within the Public Broadcasting Service (PBS). NBPC develops, produces and funds television and online programming about the black experience and, since its founding in 1979, has provided hundreds of broadcast hours documenting African American history, culture and experience to public television. For more on NBPC and its initiatives, visit www.nbpc.tv

ABOUT AMERICAN PUBLIC TELEVISION

With more than 10,000 hours of programming in its library, American Public Television (APT) has been a prime source of programming for the nation's public television stations for 47 years, distributing more than 300 new program titles per year. APT milestones include distribution of the first HD series on public television and the 2006 launch of Create(TM) - the TV channel featuring the best of public television's lifestyle programming. Known for its leadership in identifying innovative, worthwhile and viewer-friendly programming, APT has established a tradition of providing public television stations with program choices that strengthen and customize their schedules, such as: Carreras Domingo Pavarotti in Concert, Winged Migration, Battlefield Britain, Globe Trekker, Rick Steves' Europe, Great Museums, Jacques Pépin: Fast Food My Way, America's Test Kitchen From Cook's Illustrated, Broadway: The Golden Age, Lidia's Family Table, California Dreamin' - The Songs of The Mamas & the Papas, Rosemary and Thyme, P. Allen Smith's Garden Home, The Big Comfy Couch, Monarchy With David Starkey, and other prominent documentaries including AfroPoP: The Ultimate Cultural Exchange Program, dramatic series, how-to programs, children's series and classic movies. For more information about APT's programs and services, visit APTonline.org

TV NEWS: ANIKA NONI ROSE TO HOST AFRO POP PUBLIC TV SERIES


EW DISNEY STAR ANIKA NONI ROSE TO HOST AFROPOP PUBLIC TELEVISION SERIES

Documentary Series on Contemporary African Diaspora Returns in October for Second Season

New York, NY (BlackNews.com) - Tony Award winning actress Anika Noni Rose, who recently made history by being cast as the first-ever African-American princess in Disney's The Princess and the Frog, has signed on to host the new season of AfroPoP: The Ultimate Cultural Exchange. An innovative documentary series on contemporary life, art and pop culture in the African Diaspora, AfroPoP's second season comes to public television in October 2009. The series is produced by the National Black Programming Consortium (NBPC), and co-presented by American Public Television (APT).

As the series host, Rose will introduce audiences to powerful stories about African boxers who journey across the Atlantic to match their skills against the best in global contests; a teenage girl who travels to Ghana and a Sierre Leonian ex-patriate who returns to his homeland, each hoping to dispel prevailing myths about the two continents; and, Hurricane Katrina victims who find themselves refugees in their own country.

In announcing Rose's hosting role on AfroPoP, NBPC Executive Director Jacquie Jones explained: "Anika's body of work reflects not only a strong connection to the African-American experience, but her recent work in Africa shows she shares a link to and insightful understanding of Black life in other parts of the world. At the same time, we were looking for a youthful voice who could express the great breadth of the Diaspora. She is a perfect fit for the series."

Film audiences will be reunited with Rose in November when she plays "Princess Tiana" in the animated, Disney musical feature opening in November. Her other recent acclaimed roles include secretary "Makutsi" in Anthony Minghella's HBO series The No. 1 Ladies' Detective Agency, "Lorrell Robinson" in the major motion picture Dreamgirls, and "Maggie" in the all-black cast of Cat On A Hot Tin Roof on Broadway. Rose won a Tony Award for her performance in Caroline, or Change.

To preview the series or for more information on the films or filmmakers, visit www.AfroPoP.tv

ABOUT THE FILMS:

The Fighting Spirit

Dir. George Amponsah

Boxing is show business with blood--a tough sport, which has always found its top competitors from the poorest neighborhoods. Bukom, a tiny district in Ghana's capital city of Accra, is one such locale. Grounded in a long cultural tradition of wrestling that over the years developed into boxing, the tiny fishing village trains young people to fight--and win. Bukom has produced up to five percent of the world's champion and Olympic medal boxers. The Fighting Spirit tells the story of three fighters from Bukom--two men and a woman--as they battle their way to the glittering rings of Europe and America to compete for the biggest prizes in the business. Viewers watch the athletes fight for respect and reward for their tribe and their home, and witness their triumphs and defeats in and out of the ring.

Black to Our Roots

Dir. Tre Whitlow

Living in a housing project in Atlanta, Georgia, 17-year-old Sylvia Dorsey is frustrated by the drug abuse and violence that surrounds her. Black To Our Roots is the inspirational story of the journey Sylvia takes to explore her ancestral home in Ghana in an attempt to escape the cycle of violence and poverty of her Atlanta neighborhood. In Africa, Sylvia confronts several challenges that test her patience and change her life forever. When she returns to the United States, will she be able to adjust to her old world as a new woman? This film is a testament to the power of change.

Desert Bayou

Dir. Alex LeMay

In the wake of one of the worst natural and humanitarian disasters ever to visit American shores, nearly 600 African Americans were airlifted to the almost entirely white state of Utah...without their knowledge. Desert Bayou seeks to examine whether two cultures can come together in a time of utter chaos, or whether their differences prove too great a challenge to overcome. In their own words evacuees of Hurricane Katrina, tell how they survived the storm of the century and out of the rubble ended up at a military installation in the deserts of Utah. With interviews from evacuees, political, military and religious leaders, community and social figures, the questions of race, politics and religion hurtle towards each other in this truly American story: a story of loss and reunion, of sorrow and rebirth, of anger and rejoicing, but most of all...a story of hope.

Moving to the Beat

Dir. Caleb Heymann/Abdul Fofanah

Moving to the Beat explores how youth in Africa and America are using hip hop music to communicate with one another and as a language for social change. The documentary follows Rebel Soulz, a hip hop group from Portland, Oregon, as they journey to Freetown, Sierra Leone to bring the radical roots of American hip hop to the motherland of Africa. In the process of collaborating and interacting with the local artists, the visitors confront their own stereotypes and fantasies of Africa while shattering the Sierra Leoneans perception of America as a "second heaven." The result is a deeply forged connection that transcends centuries of misunderstanding and separation, and becomes an inspiring call for people worldwide to transcend boundaries.

ABOUT NBPC

The National Black Programming Consortium (NBPC), a national, nonprofit media arts organization, is the leading provider of black programming on public television and the greatest resource for the training of black media professionals within the Public Broadcasting Service (PBS). NBPC develops, produces and funds television and online programming about the black experience and, since its founding in 1979, has provided hundreds of broadcast hours documenting African American history, culture and experience to public television. For more on NBPC and its initiatives, visit www.nbpc.tv

ABOUT AMERICAN PUBLIC TELEVISION

With more than 10,000 hours of programming in its library, American Public Television (APT) has been a prime source of programming for the nation's public television stations for 47 years, distributing more than 300 new program titles per year. APT milestones include distribution of the first HD series on public television and the 2006 launch of Create(TM) - the TV channel featuring the best of public television's lifestyle programming. Known for its leadership in identifying innovative, worthwhile and viewer-friendly programming, APT has established a tradition of providing public television stations with program choices that strengthen and customize their schedules, such as: Carreras Domingo Pavarotti in Concert, Winged Migration, Battlefield Britain, Globe Trekker, Rick Steves' Europe, Great Museums, Jacques Pépin: Fast Food My Way, America's Test Kitchen From Cook's Illustrated, Broadway: The Golden Age, Lidia's Family Table, California Dreamin' - The Songs of The Mamas & the Papas, Rosemary and Thyme, P. Allen Smith's Garden Home, The Big Comfy Couch, Monarchy With David Starkey, and other prominent documentaries including AfroPoP: The Ultimate Cultural Exchange Program, dramatic series, how-to programs, children's series and classic movies. For more information about APT's programs and services, visit APTonline.org

POP CULTURE: LAPD CRIME STATS CONTROVERSY


IT SEEMS AS IF THE LAPD, ALLEGEDLY, HAVE BEEN ‘COOKING THE BOOKS’, SO TO SPEAK, WITH REGARDS TO THEIR CRIME STATISITICS. HAVING TROUBLE BELIEVING, READ BELOW, & DROP ME A MESSAGE.

http://www.latimes.com/news/local/la-me-lapd-crimemap9-

the Los Angeles Times

LAPD's public database omits nearly 40% of this year's crimes

The map, touted as a way for residents to monitor the safety of their neighborhoods, doesn't include about 19,000 serious crimes reported in other LAPD data. Officials say they're looking into it.

By Ben Welsh and Doug Smith

The Los Angeles Police Department's online crime map intended for public use has failed to include nearly 40% of serious crimes reported in the city, a Times analysis has found.

The omissions, which date back at least six months, include thousands of crimes known to LAPD officials and are included in their official crime statistics.

Among the 19,000 incidents between Jan. 1 and June 13 that do not appear at lapdcrimemaps.org:

* 26 homicides

* 137 rapes

* 10,766 personal, vehicle or other nonviolent thefts

In one of those rapes, a man hid in the back of a woman's car, forced her to drive to an abandoned North Hollywood apartment and assaulted her. It was the kind of incident that residents of the neighborhood around Sherman Way and Kester Avenue would have wanted to know about.

The March 26 attack was reported on the LAPD's blog but has yet to show up on the public map.

The lapses mean that the map, touted by city leaders as an important and innovative resource for city residents to determine whether their neighborhoods are safe, presents a drastically incomplete image of city crime.

Some residents have tried to bring the problem to the department's attention, to no avail. Jason Insalaco, a former resident of Atwater Village who uses the pen name GlendaleBlvd, posted a message about unmapped crimes in that area on a neighborhood message board earlier this year, but his concerns were dismissed by the department. He said he was outraged by the site's inaccuracies.

"The community is not being accurately informed," Insalaco said. "They are being misled and lulled into a false sense of security."

The Times discovered the magnitude of the problem while developing its own online map to display LAPD data. Comparing the LAPD map with the department's official totals revealed that thousands of crimes through mid-June were missing. The department’s official crime tally recorded more than 52,000 serious crimes this year. But the database on the public mapping site contained fewer than 33,000 for the same period.

Among the omissions, caused by a programming error, were more than a thousand violent robberies, including two out of seven street robberies committed in April and May by men posing as police officers.

The Times informed the LAPD last week of the discrepancy and specific examples of missing crimes.

This week, the LAPD added about 20,000 crimes from 2009 to data it provides The Times. But as of late Wednesday, those additions had yet to appear on the LAPD map.

"The department is looking into the issue that you brought to our attention," said Lt. Rick Banks, the officer in charge of the online unit. "When we come up with our findings, we will respond to you."

Banks declined to say whether the crimes were lost before the information was sent to the private contractors who produce the maps or whether the problems took place when the contractor processed the data. It was also unclear whether the problem dated to the origin of the project or was more recent.

The missing crimes mark the second major problem with the LAPD's public maps. In April, The Times found that programming errors by the LAPD's contractor had caused thousands of crimes to be mapped in the wrong place, mistakenly portraying the Los Angeles Civic Center as the most crime-ridden location in the city. To resolve the problem, the contractor has dropped those crimes from the map, but has not yet placed them in their correct locations.

When the LAPD launched the mapping site in March 2006, it was promoted as a publicly accessible version of Chief William J. Bratton's vaunted CompStat system. CompStat is a computer-powered tracking process first developed under Bratton at the New York Police Department that uses maps to track crime trends and guide deployment.

The internal CompStat system is managed by LAPD staff, and CompStat's top official emphasized that the problems with the public system had not affected the department's internal statistics.

"It's not something we had anything to do with," said Det. Jeff Godown, head of LAPD's CompStat unit. "It is what is. It's for the general public. For what we do [at LAPD] we have a much more robust thing."

By contrast, the map available to the public at lapdcrimemaps.org is a joint venture between the Web development firm LightRay Productions and the engineering company PSOMAS, which manages it. Together, the two companies market a product known as ePolicing, which sells the mapping application first built for LAPD to other police departments.

In an e-mail to The Times late Wednesday, PSOMAS Vice President Craig Gooch said his company had identified an inadvertent programming error and fixed it. However, reported crimes continued to be missing from both the LAPD map and data sent toThe Times.

The public map, which includes an e-mail notification service, was created as part of an overhaul of the LAPD's website funded with $362,000 raised by the Los Angeles Police Foundation.

The scale of the errors undermine the LAPD's expressed purpose in publishing the information. LAPD officials have said that a key reason for publishing the maps is so that residents can spot crime trends.

But earlier this year when the so-called Salt & Pepper Bandit robbed 13 Los Angeles banks in less than a month, only six of the heists found their way onto the LAPD map.

In Atwater Village, Insalaco and other residents saw that about half the crimes reported by the news media had failed to appear on the LAPD's site. But when their concerns about a "massive misinformation campaign" came to the attention of local police officials, Northeast Division Capt. William A. Murphy dismissed them.

"The simple answer -- no," Murphy wrote in an April 22 newsletter responding to Insalaco's allegations. "There is no way that we under report crimes in [the Northeast division] by 50%."

Contacted Wednesday, Murphy said he was troubled by the map's flaws.

"From my perspective, any time it's even slightly off, that can cause a question on all the statistics," Murphy said.

He conceded, though, that he did not check the map for accuracy even though he urged community groups to use it.

"I'm a police officer, I'm relying on the technology," Murphy said. "I'm not an expert on computer systems."

Those who are experts on technology say data omissions on this scale suggest a lack of attention to accuracy.

It means "someone was not being particularly concerned about their data quality," said Clay Johnson, director of software development for the nonprofit Sunlight Foundation, which republishes government data online and urges the government to release more.

Still, Johnson commends government agencies that make an effort to post data online.

Although he called a 40% data loss a big problem, he added that some level of error is unavoidable when working with complicated databases.

"I think it is acceptable as long as it's correctable," Johnson said. "You have to accept failure because it's going happen."

ben.welsh@latimes.com

doug.smith@latimes.com

POP CULTURE: COMPLEX MAGAZINE- 50 GREATEST ACTION MOVIES OF ALL TIME

CHECK OUT THIS COOL ARTICLE HIGHLIGHTING THE 50 GREATEST ACTION MOVIES OF ALL TIME, AS THUS SAYETH MY GOOD FRIENDS OVER AT COMPLEX MAGAZINE.

LINK: http://www.complex.com/ENTERTAINMENT/MOVIES/The-50-Greatest-Action-Movies-of-All-Time