Showing posts with label book review. Show all posts
Showing posts with label book review. Show all posts

Wednesday, July 22, 2009

BOOK REVIEW: KARRINE STEFAN'S THE VIXEN MANUAL



Since she exploded on the scene with her two juicy and impossible-to-put-down tell-alls, readers have wanted to know even more about what makes Karrine Steffans tick. How was she able to meet all the high profile politicians, movie stars, and other celebrities that are her close acquaintances? What skills does she possess to keep men wanting more? Finally, Karrine lays it all out and explains exactly what a woman must do to win over the man of her dreams. With chapters like "Never Let Him See You Sweat,""Flirting,""Encouraging His Manhood," and "Give Him What He Wants," this hot and sexy manual is a must-have for every woman's bookshelf.

About the Author

Karrine Steffans became a New York Times best selling author after releasing her debut tell-all book Confessions of a Video Vixen in June of 2005. Since the success of her books, Karrine speaks at universities and celebrity panels. She has also established The Karrine Steffans Girls Club, The Karrine Steffans Book Club , and The Steffans Commentary on MySpace. Check out Karrine's website at www.karrine.com

Monday, July 6, 2009

BOOK REVIEW: GLORIA VANDERBILT- 'OBSESSION'


At 85, a Brahmin in Blue Jeans Writes of Sex, Masks and Veggies

By CHARLES McGRATH

Gloria Vanderbilt’s new novel, “Obsession: An Erotic Tale,” which comes out next week, may be the steamiest book ever written by an octogenarian. And it’s one of very few volumes to arrive on the sex-book shelf accompanied by a blurb from Joyce Carol Oates, who calls it, “a remarkable tapestry of human passion — an interior world of highly charged erotic mysteries that teasingly suggest, but ever elude, decoding.”

In other words, it’s not always clear what’s going on. “Obsession,” published by Ecco, is the story of Priscilla Bingham, the widow of a Frank Lloyd Wright-like architect who, after his death, discovers a cache of letters, wrapped in magenta grosgrain ribbon, revealing in considerable detail his secret, kinky sex life. The author of these letters is Bee, a mysterious woman who may be a figment of Priscilla’s imagination, or possibly Priscilla is a figment of Bee’s. Either way, the letters don’t leave much out.

“Obsession” is written in stylized literary prose that owes something to Pauline Réage’s “Story of O,” and is set in a world that’s partly fantastical. It’s erotica, not porn. But it nevertheless uses vocabulary and describes activities of a sort that readers of The New York Times are usually shielded from. There are scenes involving dildos, whips, silken cords and golden nipple clamps, not to mention an ebony, smooth-backed Mason Pearson hairbrush purchased at Harrods. As the book explains, spanking with a Mason-Pearson is a “serious matter,” not the kind of thing that is rewarded with the “luscious afterglow of warm cocoa butter.” Mint, cayenne pepper and a fresh garden carrot are deployed in the book in ways never envisioned by “The Joy of Cooking.” And there is also a unicorn, though, blessedly, it remains a bystander.

Now 85, Ms. Vanderbilt could easily pass for 25 years younger. She still has the high cheeks and the wide, stretchy smile she flashed back in the ’80s, when she was selling jeans on television. She has a Brahminish, boarding-school accent but a down-to-earth steely determination. On days when she doesn’t write she paints or makes collages and Joseph Cornell-like “dream boxes,” some of which have been featured in literary magazines.

“I’m always in love, that’s one of my secrets,” she said recently, sitting in the living room of her apartment on Beekman Place. “I’m determined to be the best I can be for as long as I can, and when I’m not, I have my plans. I walk a lot and watch my diet. That’s the key of it. I’ve always had a lot of energy.”

Sex, presumably, is something Ms. Vanderbilt knows about, after four marriages, as well as affairs with, among others, Howard Hughes, Gene Kelly, Marlon Brando and Frank Sinatra. She said she wasn’t at all embarrassed about the explicitness of her book, adding: “I don’t think age has anything to do with what you write about. The only thing that would embarrass me is bad writing, and the only thing that really concerned me was my children. You know how children can be about their parents. But mine are very intelligent and supportive.”

Ms. Vanderbilt’s son Anderson Cooper, the CNN newscaster, who read “Obsession” in manuscript, said: “The six most surprising words a mother can say to her son are: ‘Honey, I’m writing an erotic novel.’ But actually she’s pretty unique, and there’s not much she does that’s surprising anymore. At 85, whatever she wants to write is fine with me.”

Laughing, Ms. Vanderbilt said: “I have two very WASPy friends who are quite disapproving. One of them said, ‘I think it’s going to ruin your reputation.’ ” She went on: “But the book couldn’t have been done any other way, because then it would have been boring. I think that all the very graphic sex is true of self-exploration and true of fantasy. I think it’s poetic.”

The idea for “Obsession” came to her, she said, when she was browsing at the Strand one afternoon and spotted a book with the title “If Ever Two Were One,” which instantly became her first sentence. Her mother was a twin, she explained, and the idea of twinship has always fascinated her. Pairs, doubles, mirrors abound in “Obsession,” and the five-story Brooklyn sex mansion where most of the orgies take place is tellingly named the Janus Club. It’s run by Maja, an elegant madame who keeps up standards around the place by dressing her young ladies in Fortuny tea gowns, without underwear, and blindfolding them with masks of dove and marabou feathers. She also looks after the gilt and lacquered sex toys. If “Obsession” is ever made into a movie, Ms. Vanderbilt said, this is the part she would like to play.

Once she started on the book, Ms. Vanderbilt said, the writing, or the first draft, anyway, went very quickly. “It was as if I were channeling it,” she said, and added: “I do think all art is autobiographical, and I do think I know quite a bit about women. I don’t know anything about men.”

There isn’t much of her in Priscilla, she said, who is sexually timid and frustrated, but Bee, who is highly sensual and an orphan, as Ms. Vanderbilt was in a way after her father died and her mother lost custody of her following a long and scandalous trial, is another story. “Bee is me of course,” Ms. Vanderbilt said. “Absolutely. If you’ve never had a mother or a father, you grow up seeking something you’re never going to find, ever. You seek it in love and in people and in beauty.”

To judge from the book, at least, you can enhance your quest by scrubbing your torso with sea salt, bringing the skin to a glow before applying scented gardenia oil and a smidgen of honey aphrodisiac, so that you “can let loose shaking onto the breasts a goodly amount of chocolate sprinkles, which will adhere prettily.”

Ms. Vanderbilt has already rewritten the ending of “Obsession,” and the new version is available as an audiobook recording. She is also thinking about a sequel. “I can sort of see it, but not clearly yet,” she said, and she added that she thought a second installment would be much harder to write, the sex scenes especially. “I think I’ve already covered just about everything,” she said, and she laughed. “Sometimes I really crack myself up.”

Monday, June 15, 2009

BOOK REVIEW: A PRAIRIE TALE, MELISSA GILBERT


HERE’S ANOTHER JUICY BOOK FROM MY CELEBRITY SERIES, AND IT’S FROM ACTRESS MELISSA GILBERT, OF LITTLE HOUSE ON THE PRAIRIE & GILMORE GIRLS FAME. I’VE READ SOME EXCERPTS & IT APPEARS TO BE QUITE REVEALING & CANDID, WHICH ARE TWO WORDS THAT PRETTY MUCH GUARANTEE A JUICY TELL ALL. CHECK OUT THE ARTICLE, THEN CHECK OUT THE BOOK. CHEERS & ENJOY

Melissa Gilbert’s complicated ‘Prairie’ life

The actress opens about her difficult childhood, addictions and more

TODAY books

updated 10:48 a.m. ET, Tues., June 9, 2009

Actress Melissa Gilbert of “Little House on the Prairie” was America’s sweetheart and many presumed she enjoyed a blessed childhood. But in reality, the talented star’s home life was a far cry from the idyllic life she portrayed in the popular TV show. In her new memoir, “Prairie Tale,” Melissa Gilbert shares her story of growing up in front of the cameras, dealing with a complicated family, overcoming addictions, and how she finally learned to move on. An excerpt:

Fairy Dust

My mother was nearly a month past her husband’s funeral when she turned her attention back to my desire to write a memoir. It wasn’t just a desire; there was an actual book deal, and she was against it. If the book were on any topic other than myself, she would’ve already been circulating word that “Melissa is writing the best book ever.” But this was different. It was about me. Which meant it was also about her. And she was against telling that story if she wasn’t the one doing the telling.

She had tried numerous times to talk me out of it, but her efforts were interrupted by the death of my stepfather, Hollywood publicist Warren Cowan. Now she was back on point.

She showed up at my house one afternoon carrying a large box packed with news clippings, ads, letters, and diaries of mine. She set it down on the kitchen table with a thud and announced with a smile as deadly as a pearl-handled Derringer that the contents would be helpful.

“For your book,” she said, pronouncing the word ‘book’ as if were a Petrie dish containing the Ebola virus that I was going to let out in the world.

I marveled at her gamesmanship — and at her. She looked a decade younger than her age, which, if revealed, would be taken as a bigger crime than revealing Valerie Plame was a CIA agent. Her hair was blonde and coiffed. It’s sufficient and necessary to say she was strikingly attractive. She looked great whether going to her weekly appointment at the hair salon or movie night at the Playboy mansion, which she and my step-father had attended for years.

I also cringed at the layers at play here in my kitchen. I thought, thank goodness I have four sons. The mother-daughter relationship is one of mankind’s great mysteries, and for womankind it can be hellaciously complicated. My mother and I are quintessential examples of the rewards and frustrations and the joys and infuriations it can yield. By and large, we are close. At times, though, she had rendered me speechless with her craftiness. Now was one of those times.

While I sifted through the box packed with sacred bits from my life, my mother offered sly commentary and full-on reinterpretations of the contents. Ah, the contempt and fear and anger she hid behind her helpful smile.

To me, at forty-four years old, my book was a search for truth and identity. To her, it was — if only you could have seen the look on her face, you’d fully understand — the ultimate betrayal.

I moved on. I made tea. We talked about some of the condolences about Warren that continued to stream in. We mentioned which friends checked on her, the dinner invitations that kept her busy as ever, and of course the latest comings and goings about my husband, Bruce, and my sons. Finally, after we had caught each other up on everything, she returned to the book.

“You can write the book if you want,” she said with a nonchalant shrug.

“Thank you,” I replied. “I’m looking forward to it.”

“I can understand why you want to write it,” my mother said. “You write it and get it all out of you.”

“Thank you.”

“You have my blessing.”

“Thank you again.”

“But,” she said, “the classy thing would be to burn it after you’re finished.”

* * *

My life was a mystery even as I lived it.

Several months earlier, I had called my mother and asked if I’d ever had a conversion ceremony to make me officially Jewish. Although I was raised Jewish, my upbringing didn’t include any formal religious education or training. We celebrated Passover, and other major Jewish holidays. But we also celebrated Christmas and Easter. It’s why I always emphasized the “ish” in “Jewish.”

As I got older, though, I grew more observant and intrigued by a more personal relationship with God. One day as I discussed this with a friend who had converted to Judaism as an adult, she asked if I recalled my conversion ceremony.

“Huh?” I said.

My friend explained that adults wanting to switch to Judaism from another religion had to go through a conversion process. It included reading and discussion among friends; a deeper course of investigation with a rabbi; then study, immersion, and approval by a board, culminating with a public ceremony and celebration.

Even though I was just a day-old when my parents adopted me, my friend explained my parents would still have needed a rabbi to perform a ceremony and a blessing to make me officially Jewish. That’s when I asked my mother if she recalled doing the ceremony.

“Why do you need to know now?” she asked.

“Because if I never had a conversion ceremony, then I’m not really Jewish,” I replied. “And if I’m not Jewish —”

“But you’re Jewish,” she interrupted.

“Who says?” I asked.

“I do.”

“Mom, believe it or not, you are not the final authority on this issue.”

“I’m your mother,” she said. “And I’m Jewish.”

“But my birth parents” —

“We adopted you at birth.”

“Was there a conversion ceremony?” I asked.

“I don’t remember,” she said.

“You don’t remember?”

“No.”

“No?”

When it came to my childhood, my mother’s memory was more reliable than the Apple-S command on my laptop, so I knew she had the information filed away somewhere. I switched tactics. I asked if she remembered what I did for my second birthday. She did, and described the party she threw me. I then asked if she remembered my first birthday party. She recounted that, too, including the flavor of the cake and the bakery where she bought it.

“Mom,” I said with a dramatic pause worthy of the best courtroom lawyer, “you can remember my first and second birthday parties as if they happened an hour ago. But you can’t remember whether you hired a rabbi and had a conversion ceremony for me. How is that?”

“Melissa!”

“Mom!”

“Maybe I didn’t have one,” she said. “I don’t really know. What’s the big deal?”

“It means I’m not Jewish,” I said. “It means I’m not who I thought I was for all these years. It changes everything.”

* * *

OK, I exaggerated. It wouldn’t change everything. When I hung up the phone, I was still going to be me: dressed in sweats, juggling car-pool duties, going to meetings, planning dinner, trying to wedge more into my day than twenty-four hours permitted. In one sense, my life would be fundamentally unchanged.

However, in another sense, my inner compass had already started to spin wildly out of control. Was there a conversion ceremony? That was a simple question. Was I who I thought I was? Not such a simple question.

Welcome to my not-so-simple life. My mother, whom I love dearly, has continually revised my life story within the context of a complicated family history that includes more than the usual share of divorce, step-children, dysfunction, and obfuscation, and I’ve spent most of my adult life attempting to deconstruct that history and separate fact from fiction, especially as the facts pertain to … me!

For example, my mother was at the helm of everything, including my career, my food intake, and how I dressed — my whole life. I never questioned her or rebelled. Speaking out against the family was the ultimate form of disloyalty, and disloyalty was not tolerated. It was like the mafia. Although I never feared getting whacked, I was always just a little afraid of being sent back to wherever it was I came from.

So an interview back when I was ten years old is likely to have me saying that everything is wonderful, everyone in my life is fantastic, I am happy, and life is perfect. But most of that was untrue. Just as in an interview three months after my mom’s second husband suffered a brain hemorrhage I told a reporter that I had my crying moments, but I was pretty tough about that sort of thing.

The truth is that I never cried over my mom’s second husband. I was never close to him. I never liked him. I didn’t have any relationship with him. I was dragged to the hospital when he was sick to add cachét so the nurses would take better care of him. I know it was difficult for my mother, but I don’t remember being upset about anything at the time.

Could I say that to the press? Absolutely not.

A large part of my life has been an illusion — not an illusion crafted through carefully controlled media, but more like light going through a prism in that there’s one story bent in numerous directions. There’s my mother’s version, there’s the one in the press, there’s the one I lived, and there’s the one I’m still trying to figure out.

However, there are some facts. For instance, I am a twice-married, now-sober former-child actor and mother of four. I acquired all those hyphenates by living the way I wanted to or needed to, hopefully with some grace and dignity. I made my share of mistakes, which I think of as the stones I stepped on to get to where I am today, and through luck, hard work, serious reflection, and a desire to face the truth about myself, I ended up at a place where now I enjoy the peace that comes from allowing myself to not be perfect.

Such was not always the case. My mother, beautiful, delicate, and deluded, saw me as the pillar of perfection — and told me that I was the world’s best actor, the best wife, the best … at everything. I knew I wasn’t, but I lived my life as though I had to be the best lest I disappoint her.

Today, I just want to be my best and I don’t fear disappointing anyone other than myself and my family. I’m in love with a good man, and my children are brave, funny, and compassionate people. I love the lines around my eyes, but I hate the way my cheeks are falling; I’m carrying around an extra ten pounds and enjoying it (most of the time). I suppose I am truly fat and happy.

I play drums, surf and meditate. I’m in a peaceful state of mind most of the time. Though I am lucky enough to earn a living at a job I love, I’m also thinking about going back to school to get my RN or LVN in end-of-life pediatric care. I’m much better going forward than backwards or sideways. I have no real plan, just general dreams.

It wasn’t always like this. I wasn’t always at peace. I wasn’t always content to let life happen.

II.

For my first couple of decades, there was fairy dust sprinkled over everything in my life courtesy of my mother. According to her, and via her, through the press, everything was sparkly, beautiful, and perfect. Everyone was well behaved. We didn’t have any problems. We never had colds.

In reality, things were quite different … and not okay. One of the first times I recall opening my eyes to this was when Rob Lowe and I were planning our wedding. Our plans were becoming ridiculously overblown and we were even talking about renting a sound stage. Oh, then there were the doves. Doves? Oy! It was a whole production.

One day my mother and I were in the car, going to meet the wedding planner and the florist. I was anxious about everything from the wedding details to the commitment I was about to make to Rob. I was a kid living a big life and growing up fast. Those years I spent in the “Brat Pack” (I really hate that stupid name) running with Rob, Emilio, and Tom, that was my equivalent to college. I didn’t have the confidence of a bride-to-be. Nervous and near tears, I was a babbling river of anxiety and fear.

“I’m so scared about this,” I told my mom. “I don’t know, I don’t know. Am I doing the right thing? Am I making a huge mistake? Can this work?”

My mother gave me a look full of calm and wisdom. “Sweetheart, don’t worry,” she said with total sincerity and earnestness. “Rob will make a wonderful first husband.”

I heard that and something inside me clicked. It was my first allergic reaction to my mother’s fairy dust. I thought, That is a really tweaked way of looking at life, and I knew something was not right. And such were our issues, my issues.

***

Like so many women I’ve met, my issues eventually caught up with me. I got to a point in life, somewhere into my second marriage and during my effort to get sober, where reality tapped me on the shoulder, demanding attention, asking questions I’d never stopped to consider: Who are you? How’d you get here? What does it mean to be a wife, a mother, a woman? What will make you happy? What does a peaceful life look like to you?

Sometimes life is like an uninvited houseguest. It shows up and refuses to leave until you deal with it. Call me a late bloomer, but I didn’t feel eighteen until I was in my twenties, and I didn’t start putting my life together until much, much later.

Furthermore, I still get letters from women whose lives were and often still are truly horrible, victims of physical and sexual abuse. These women say the one escape they had growing up was Little House on the Prairie. They wished they had Laura Ingalls Wilder’s life the way I played her. What I don’t ever tell them is that I’m also among those who wish I had Laura’s life the way I played her.

For me, work was a fantasy where I was a happy-go-lucky kid with a larger-than-life surrogate father in Michael Landon. There were people I could talk to and count on, and horses and cows and other animals I could play with in an idyllic outdoor setting. In real life, I struggled with the mythology of my existence — the story of my birth grew from the fairy dust my mother sprinkled on the truth, whatever that was.

I always knew I was adopted. I was told that I was the child of a prima ballerina and a Rhodes Scholar; my mother was a beautiful dancer who wasn’t able to give up her career, not just yet, and my father was in the middle of some project, and though I was the product of a loving relationship between two brilliant individuals, the timing was simply off, so they gave me up for adoption, this wonder-child endowed with the gifts of both Margot Fontaine and Steven Hawking. My mother recognized in me the potential to not just be good but the most exceptional, and, well, that story was perpetuated over the years, told and retold like some sort of fairytale or legend, and so on.

Finally, I reached the age where I was able to fact check the story and found out my mother the dancer was in fact a dancer. What kind of dancer was never clear. She wasn’t a prima ballerina, though. That much I figured out. And my father the Rhodes Scholar was a sign painter and stock car racer. They were both married to other people. They each had three children. They ran off together, got pregnant, moved in together with six children, and decided they couldn’t afford a seventh.

So they gave me up for adoption, a child who would eventually end up wondering who I really am, who I’m related to, if I have a predisposition for high blood pressure, heart disease, diabetes, any history of cancer or personality issues. f that’s asking too much, I’m willing to settle for finding out who gave me the nose I disposed of at eighteen.

III.

The latest twist in the story of my birth was brought to light a few days after my stepfather died. Close family and friends were at my mother’s, and my godmother, Mitzi, started in about the day my parents picked me up at the hospital. She was hilarious as she described my parents and their first day with a newborn. Out of the blue my mother said, “Well, imagine what a shock it was for me!”

Everyone turned toward my mother, including me. She wasn’t joking. She looked as if she were reliving that shock.

“I mean, we had no plans to adopt a child,” she said.

As I had many times throughout my adult life, I cocked my head and flashed a quizzical look at my mother. What?

“We weren’t even looking,” she continued. “Then I got a phone call that there was a baby available and did I want it?” She turned to me. “I called your dad. He was on the road and he said, ‘Yes, that’s the one. Go get it.’”

“It?” I said. “You keep referring to me as an it.”

“Well, actually, you weren’t even born yet.”

This was news to me. And I would have explored it further except new people arrived at my mother’s and she switched into hostess mode.

A few days later my mother came over to my house and we talked about my step-dad’s death. I walked her through it because she didn’t remember much; by contrast, I remembered everything in detail. I had brought in a superb hospice team and used my training to turn into a patient advocate, which allowed my mother and the love of her life to have a peaceful goodbye.

I told her who had come to visit those final days, and then I described how she had spent Warren’s last day alive laying in bed next to him, sharing her strength and comforting him through his final moments. I told her what I saw as I watched him take his final breaths wrapped in her arms. I thanked her for letting me be a part of something so private, so spiritual, and so profoundly moving.

After a good cry, I reminded her of the story she and Mitzi had started to tell about my arrival in this world. I still wanted clarification. Tired and vulnerable, she opened up and said that she and my father had been trying to have a baby and were actually going through fertility treatments when she got the call. The strange part was, until then, they had not spoken about adoption — or so she said.

A few weeks later I was replaying that conversation and realized something. My father had a daughter from a previous marriage. I’d met her once. And my mother was pregnant twice after me, once with a baby she lost at six months and once with my sister Sara. Both of my parents were fertile. So why couldn’t they — Obviously more was going on than I knew. Once again, the beginning of my life was defined by a question mark.

Excerpted from “Prairie Tale” by Melissa Gilbert. Copyright (c) 2009, reprinted with permission from Simon & Schuster.

© 2009 MSNBC Interactive

URL: http://today.msnbc.msn.com/id/31173128/

Monday, May 4, 2009

CELEBRITY INTERVIEW: JOHN FORTE


John Forte Busy Post-Prison With Album, Book, Blog

John Forte

David J. Prince, N.Y.

Singer-songwriter and producer John Forte was nominated for a Grammy Award in 1997 for his work on the Fugees' multiplatinum album "The Score." But he's now best known for the November 2008 commutation of his prison sentence by President George W. Bush. Forte was released after serving seven and a half years of a 14-year sentence in federal prison for drug trafficking.

Since then, Forte has been busy. He's laying down the framework for 24 new songs at a downtown Manhattan's Pulse Music studio and hitting the stage for the first time in eight years in New York with the Roots, Talib Kweli, Chrisette Michele and Pharoahe Monch.

In addition to signing a book deal with Simon & Schuster to publish his memoirs, he's blogging for the online news site the Daily Beast and working with In Arms Reach, a nonprofit program committed to promoting a positive environment for children of incarcerated parents and at-risk youth.

Billboard: The new tracks have a melancholy, lonely quality. Is that how you felt when you wrote them?

John Forte: These songs were written while I was away, but they're not necessarily about being away. The songs are like haiku in that they are concise. There is a tinge of solitude in them but it's a reflective, centered solitude. Not that I'd resigned myself to my fate of 168 months or 14 years in prison. I resigned myself to the present.

Billboard: Did you listen to music while in prison?

Forte: I ended up listening to (Philadelphia's triple A station) WXPN in the south New Jersey area where I was for at least the last four years of my sentence. I got turned on to so much: Jose Gonzalez, Regina Spektor, Sia, Rachael Yamagata, Cat Power. I actually used those guys as barometers to my songwriting. The beauty of Cat Power is the divine imperfection in her voice. I don't listen to her expecting any perfect notes and pitches, but I believe her, and that's what motivates me.

Billboard: In some ways, you seemed to have evolved beyond hip-hop. How does that part of your past fit into your new material?

Forte: I take umbrage with the fact that when the press came out after my sentence was commuted, I was referred (to) in every periodical as "rapper John Forte." I'd like to think of myself as a musician who happens to rap. But whether hip-hop becomes more commercial or more thugged-out or more about conspicuous consumption, it will always have that undertone of speaking truth to power, questioning the status quo. That's what always defines hip-hop, always has and always will.

Billboard: You were released in December, and you're already busy. How did you make such a swift transition?

Forte: I have great people in my life. It's through the competence, the compassion and the love of the people around me that has made this transition as seamless as it appears. It's not lost on me -- the blessings and the opportunities that have been put before me.

Billboard: Did people keep in touch with you during your time in prison?

Forte: When the really hard days hit and I felt despondent, dejected and the social pariah that a federal number sets you up to be, I'd go to mail call and get one letter from a fan. I was at my nadir, and then out of the blue -- of course it's never out of the blue, everything happens for a reason -- I would hear from a fan or somebody who appreciated what I put out there. It was reaffirming that the music had its own course.

Billboard: Why did George Bush decide to grant you a commutation?

Forte: I don't think I'm qualified to answer that. I know that we went through the process like everyone else. I had a lot of support, but it was my last ray of hope. I went through my appeals process. It was a tiny sliver that opened up to me being here now.

Find this article at:

http://www.billboard.com/bbcom/news/-1003968845.story

Wednesday, April 29, 2009

BOOK REVIEW

Steve hARVEY- ACT LIKE A LADY, THINK LIKE A MAN

Mr funnyman extraordinaire, steve Harvey, comedian, radio host, movie star, tv star, producer, host, & pretty much whatever else he wants to do, is now a best selling author. I haven’t read it yet, but I am definitely curious, which I’m sure is exactly what he wants. Anyway, check out this review, & cop the book, go to the local library, Waldenbookss, barnes & noble, borders, whatever. Make it happen & holla back afterwards. enjoy

Steve Harvey, the host of the nationally syndicated Steve Harvey Morning Show, can't count the number of impressive women he's met over the years, whether it's through the "Strawberry Letters" segment of his program or while on tour for his comedy shows. These are women who can run a small business, keep a household with three kids in tiptop shape, and chair a church group all at the same time. Yet when it comes to relationships, they can't figure out what makes men tick. Why? According to Steve it's because they're asking other women for advice when no one but another man can tell them how to find and keep a man. In Act Like a Lady, Think Like a Man, Steve lets women inside the mindset of a man and sheds lights on concepts and questions such as:

—The Ninety Day Rule: Ford requires it of its employees. Should you require it of your man?

—How to spot a mama's boy and what if anything you can do about it.

—When to introduce the kids. And what to read into the first interaction between your date and your kids.

—The five questions every woman should ask a man to determine how serious he is.

— And more...

Sometimes funny, sometimes direct, but always truthful, Act Like a Lady, Think Like a Man is a book you must read if you want to understand how men think when